Arranging 1: Rhythm Section explores all aspects of writing and arranging for the rhythm section. Part of Berklee's required core curriculum, Arranging 1: Rhythm Section will teach you how to write for the rhythm section (drums, bass, guitar, and keyboards) and create killer arrangements that really groove. This course directs you on everything you'll need to create an effective arrangement; including rhythm section notation, adaptation of the melody and chords, intro's and endings, articulations and dynamics, and how to create an emotional contour throughout the arrangement. Essential learning for anyone interested in arranging music for a band, you'll discover how to pick and choose the techniques that work best for you, and how to put them all together in a way that will get everyone moving!
By the end of this course, you will:
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Online Summer Term Starts June 25th
| For-credit tuition: $1,400 |
| Non-credit tuition: $1,200 |
| Credits: 3 |
| Duration: 12 weeks |
| Catalog #: BME-130 |
| Suzanne Dean Associate professor in the contemporary writing and production department at Berklee. | |
| Sarah Brindell Assistant Professor at Berklee College of Music. | |
| Gail McArthur-Browne Assistant professor in the Contemporary Writing and Production department at Berklee College of Music. | |
| ↓ Show More Course Faculty ↓ | |
| Suzanne Dean Associate professor in the contemporary writing and production department at Berklee. | |
| Sarah Brindell Assistant Professor at Berklee College of Music. | |
| Gail McArthur-Browne Assistant professor in the Contemporary Writing and Production department at Berklee College of Music. | |
| Dan Moretti Professor in the Contemporary Writing and Production department at Berklee College of Music. | |
| Jeff Perry Berklee faculty since 1997, and currently teaches arranging in the Contemporary Writing and Production department. | |
| Mark Poniatowski Assistant professor in the Contemporary Writing and Production department at Berklee College of Music. | |
| Jeri Sykes Composed music and designed sound for theater and film, and has written several commissioned works for performing ensembles at Berklee. | |
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