An existing competency in creating music, combined with a thoughtful awareness of drama and human emotion will be critical assets to draw upon from your own background.
You should be comfortable with the features and workings of your DAW of choice, be it Logic, ProTools, Digital Performer, or any of the other programs specifically listed.
You should have the following prerequisite musical and technical skills:
Courses that may help you prepare for Film Scoring 101 include the following:
Music Theory 101 through 301; Getting Inside Harmony 2; Basic Ear Training 1; Harmonic Ear Training; Guitar Chords 101; Berklee Keyboard Method; Counterpoint; Arranging: Woodwinds and Strings; The Language of Film and TV
Complete Guide to Film Scoring: The art and business of writing music for movies and TV by Richard Davis
Learn the art and business of writing music for films and TV, including: the film-making process, preparing and recording a score, contracts and fees, publishing, royalties, and copyrights. Features interviews with 19 film-scoring professionals.
Ready to Enroll? |
Online Summer Term Starts July 1st
| For-credit tuition: $1,400 |
|
Non-credit tuition: $1,200 Add 6 CEUs: $25.00 |
| Credits: 3 |
| Duration: 12 Weeks |
| Catalog #: BMW-160 |
| Donald Wilkins Chair Emeritus of Berklee College of Music's Film Scoring Department. | |
| Jack Freeman Teaching courses in film music editing, composition, and history at Berklee College of Music since 1991. | |
| Michael Rendish Former Assistant Chair of Berklee College of Music's Film Scoring Department. | |
| Donald Wilkins Chair Emeritus of Berklee College of Music's Film Scoring Department. | |
| Jack Freeman Teaching courses in film music editing, composition, and history at Berklee College of Music since 1991. | |
| Michael Rendish Former Assistant Chair of Berklee College of Music's Film Scoring Department. | |
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