Every seasoned performer knows the importance of an excellent sound operator. No matter what the genre of the music, if the sound operator doesn't build a mix that sounds good, the creativity, passion, and brilliance of the performance will be tarnished. A sound operator who knows how to create a mix that sounds great and can build and deploy a high-quality sound system is highly coveted throughout the music industry.
This course explores the acoustical, musical, and technical aspects of the live performance, in order to learn how to present the best possible sound to the audience. You will study, evaluate, and compare several different live and studio recordings in order to establish a point of reference for your own mix choices. The course emphasizes instrument sounds, microphones, equalization, and dynamics processing. These tools are presented in a manner that places a high value on the creative and technical influences they impose on the individual sounds, as well as the control they can offer for multiple sounds, channels, and tracks.
The goal of the course is to enable you to build your own mixes and use what you've learned to conform to a high standard for sonic quality, blend, and authenticity. When properly equipped with the tools, techniques, and insights needed to build an excellent mix, you will be the musicians' closest and most trusted ally.
By the end of the course, you will be able to:
Ready to Enroll? |
Online Summer Term Starts June 25th
| For-credit tuition: $1,400 |
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Non-credit tuition: $1,200 Add 6 CEUs: $25.00 |
| Credits: 3 |
| Duration: 12 weeks |
| Catalog #: BMPR-187 |
| Bill Gibson President of Northwest Music and Recording who spent 25 years writing, recording, producing, and teaching music. | |
| Bill Gibson President of Northwest Music and Recording who spent 25 years writing, recording, producing, and teaching music. | |
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