Summer Term Starts June 25th!
  • Log In
  • Sign Up
  • Go to
    • Berkleemusic LEARN MUSIC ONLINE
    • Berklee Music Network FIND A JOB, GET DEALS, COLLABORATE
    • Berklee College of Music LEARN ABOUT OUR BOSTON CAMPUS
  • OnlineCertificates
    • Music Production
    • Songwriting
    • Orchestration
    • Music Theory
    • Music Business
    • Music History & Liberal Arts
    • Guitar
    • Bass
    • Keyboard
    • Drums
    • Voice
    • Music for Film, Games & TV
  • OnlineCourses
    • Music Production
    • Songwriting
    • Orchestration
    • Music Theory
    • Music Business
    • Music History & Liberal Arts
    • Guitar
    • Bass
    • Keyboard
    • Drums
    • Voice
    • Music for Film, Games & TV
  • AboutBerkleemusic
    • Take the Tour
    • Faculty
    • Faculty Online Clinics
    • Students
    • FAQ / Student Advisors
    • School Info
  • Blogs
  • Bookstore

Browse

  • Online Courses
  • Certificate Programs
  • Sample Courses

About Us

  • Tour the School
  • Our Faculty
  • Our Students

Learn More

  • School Information
  • Financial Aid
  • Scholarship Program

Orchestration 2: Writing Techniques for Full Orchestra

Author: Ben Newhouse
  • Overview
  • Syllabus
  • Requirements
   Tweet     Tell Your Friends

Writing for the orchestra brings immense credibility in the musical world. Not only is this ability used to measure a composer's skill in concert, academic, and many other musical communities, a successful career in orchestration can afford significant financial rewards as well.

Building on the techniques presented in Orchestration 1, which primarily covers the individual orchestral instruments and families, Orchestration 2 equips students with advanced strategies and approaches to writing for full orchestra. Each of the weekly lessons addresses a common issue in orchestra music, from making orchestration choices based on the tone color of the various instruments, to voicing chords and progressions. The course also presents an in-depth look at orchestrating from single layer material such as solos and homophonic statements, to complex textures of four or more layers - music that is too complex to fit into a traditional melody/countermelody/harmony format.

Examples are first presented as simplified sketches, allowing students to compare a passage for full orchestra with a simpler, piano-only version. This process allows students to see the process the composer took from start to finish. The musical examples from the first ten weeks of the course are pulled from classical literature, including Ludwig Van Beethoven, Igor Stravinsky, Bela Bartok, Gustav Holst, Peter Tchaikovsky, and Wolfgang Amadeus Mozart. Examples from the final two weeks of the course are pulled from film score literature, including scores from John Williams, Aaron Zigman, and Marco Beltrami.

The course materials are delivered in the form of reading assignments, musical examples, and interactive activities. The musical examples are framed in an engaging interactive interface, which combines the notation with the audio. All material is supplemented with hands on guidance from the professor.

By the end of the course, students will be able to:

  • Sequence and notate music for full orchestra
  • Create a full-length piece for full orchestra
  • Analyze full orchestral scores
  • Demonstrate their understanding of traditional and contemporary orchestration techniques

symphonic-gold-box

Berkleemusic and East West have come together to offer an educational discount on East West/Quantum Leap Symphonic Orchestra Gold Complete Berklee Edition software. Once you enroll in the course, you will be able to purchase software at the discounted price through the Required Course Materials link on your My Home page. Early enrollment is encouraged to ensure software delivery prior to the start of the course.

sampleIcon
 

Ready to Enroll?

 
  • Yes, I'm ready to enroll
  • I'm interested and have a few questions

Print This Page Printable View | Top of Page Top of Page

Online Summer Term Starts June 25th

Questions?

1-866-BERKLEE (USA)
+1-617-747-2146 (INTL)

Contact Advisors

Course Info

For-credit tuition: $1,400
Non-credit tuition: $1,200
Add 6 CEUs: $25.00
Credits: 3
Duration: 12 weeks
Catalog #: BMPR-266
 

Course Faculty Down arrow

Ben Newhouse
Ben Newhouse Assistant professor at Berklee College of Music and a music supervisor and composer on dozens of television shows, films, and stage productions.
Ben Newhouse
Ben Newhouse Assistant professor at Berklee College of Music and a music supervisor and composer on dozens of television shows, films, and stage productions.
↑ Hide ↑
 
 
  • Sample a Course

    See what it's like inside our online courses

  • Take the Tour

    Experience Berklee's online school

  • Download our Catalog

    Explore 150+ online music courses and programs

  • Contact our Advisors

    1-866-BERKLEE (USA) +1-617-747-2146 (INTL)

  • Online Music School
  • Jobs & Gigs
  • Bookstore
  • Network
  • Music Blogs
  • Partners
  • School Information
  • Music Scholarships

©2001-2012 Berklee College of Music

  • Terms of Use
  • Privacy Policy
  • Contact Us
  • About Us

Berklee College of Music is accredited by the New England Association of Schools and Colleges (NEASC)

UPCEA Awards won