Online Winter Term Starts January 11th
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This 12-week course is about discovering successful strategies for future success in the music industry. Through discussions, interactive exercises, and interviews with music industry insiders, The Future of Music will challenge conventional thinking about the business of music, and will explore new ways of creating, promoting, and distributing it. Each week, we will examine an aspect of the music industry, reflect on changes that are affecting it, and evaluate how these changes, technologies, innovation and powerful trends might directly affect your own plans. This course is essential for all artists, songwriters and music business people seeking success in the future.
The music industry is at the heart of a Perfect Storm. Three massive low-pressure systems - the Internet, the introduction of digital music, and the advent of personal computer CD recording capability - have advanced and converged into an unprecedented file-sharing maelstrom. Over the past few years, music discovery and consumption have been some of the most popular uses of the Internet, with P2P file sharing having become the preference of choice with tens of millions of music consumers. The proliferation of new artists and music overall is bigger than ever before, primarily as a result of the Internet, but there are a myriad of issues still at hand that need to be resolved.
The Future of Music course will examine scenarios for the future from the perspective of what is working today and what will work tomorrow. The course will look into the landscape of artists, writers, managers and publishers sitting in the center of an entirely new digital enterprise. It will evaluate traditional promotion and distribution methods and the development of new ones. And, the Future of Music course will take an in depth look into what music fans really want, and how they want to receive it.
You will learn:
You will also benefit from interviews, quotes, and insight from music industry heavy-hitters such as: Steve Jobs, Courtney Love, Chris Blackwell, Reis Baron (Promotion, Internet and Advertising Manager, Sci Fidelity), Ron Stone (President Gold Mountain Entertainment, managers for Neil Young, Joni Mitchell, The Eagles, Crosby, Stills, Nash, Beck, Foo Fighters, Sonic Youth, and Beastie Boys) and others.
What You Should Know |
Ready to Enroll? |
| - | For-credit tuition: $1,195 |
| - | Non-credit tuition: $995 |
| - | Credits: 3 |
| - | Duration: 12 weeks |
| - | Catalog #: BMB-140a |
| Syllabus | |
| Requirements |
| David Kusek Musician and educator who has been inventing the future of music for the past twenty-five years. | |
| Peter Alhadeff Oxford-educated economist and historian, is a co-founder of Berklee's Music Business / Management major. | |
| George Howard Producer and musician has written several books on the music industry. | |
Show More Course Faculty |
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| David Kusek Musician and educator who has been inventing the future of music for the past twenty-five years. | |
| Peter Alhadeff Oxford-educated economist and historian, is a co-founder of Berklee's Music Business / Management major. | |
| George Howard Producer and musician has written several books on the music industry. | |
| Mike King Musician, educator, consultant and a veteran of several prominent independent record labels. | |
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